Книга David Copperfield. Содержание - CHAPTER 25 GOOD AND BAD ANGELS
Owing to some confusion in the dark, the door was gone. I was feeling for it in the window-curtains, when Steerforth, laughing, took me by the arm and led me out. We went downstairs, one behind another. Near the bottom, somebody fell, and rolled down.
Somebody else said it was Copperfield. I was angry at that false report, until, finding myself on my back in the passage, I began to think there might be some foundation for it.
A very foggy night, with great rings round the lamps in the streets! There was an indistinct talk of its being wet. I considered it frosty. Steerforth dusted me under a lamp-post, and put my hat into shape, which somebody produced from somewhere in a most extraordinary manner, for I hadn't had it on before.
Steerforth then said, 'You are all right, Copperfield, are you not?' and I told him, 'Neverberrer.'
A man, sitting in a pigeon-hole-place, looked out of the fog, and took money from somebody, inquiring if I was one of the gentlemen paid for, and appearing rather doubtful (as I remember in the glimpse I had of him) whether to take the money for me or not.
Shortly afterwards, we were very high up in a very hot theatre, looking down into a large pit, that seemed to me to smoke; the people with whom it was crammed were so indistinct. There was a great stage, too, looking very clean and smooth after the streets; and there were people upon it, talking about something or other, but not at all intelligibly. There was an abundance of bright lights, and there was music, and there were ladies down in the boxes, and I don't know what more. The whole building looked to me as if it were learning to swim; it conducted itself in such an unaccountable manner, when I tried to steady it.
On somebody's motion, we resolved to go downstairs to the dress-boxes, where the ladies were. A gentleman lounging, full dressed, on a sofa, with an opera-glass in his hand, passed before my view, and also my own figure at full length in a glass. Then I was being ushered into one of these boxes, and found myself saying something as I sat down, and people about me crying 'Silence!' to somebody, and ladies casting indignant glances at me, and — what! yes! — Agnes, sitting on the seat before me, in the same box, with a lady and gentleman beside her, whom I didn't know. I see her face now, better than I did then, I dare say, with its indelible look of regret and wonder turned upon me.
'Agnes!' I said, thickly, 'Lorblessmer! Agnes!'
'Hush! Pray!' she answered, I could not conceive why. 'You disturb the company. Look at the stage!'
I tried, on her injunction, to fix it, and to hear something of what was going on there, but quite in vain. I looked at her again by and by, and saw her shrink into her corner, and put her gloved hand to her forehead.
'Agnes!' I said. 'I'mafraidyou'renorwell.'
'Yes, yes. Do not mind me, Trotwood,' she returned. 'Listen! Are you going away soon?'
'Amigoarawaysoo?' I repeated.
I had a stupid intention of replying that I was going to wait, to hand her downstairs. I suppose I expressed it, somehow; for after she had looked at me attentively for a little while, she appeared to understand, and replied in a low tone: 'I know you will do as I ask you, if I tell you I am very earnest in it. Go away now, Trotwood, for my sake, and ask your friends to take you home.'
She had so far improved me, for the time, that though I was angry with her, I felt ashamed, and with a short 'Goori!' (which I intended for 'Good night!') got up and went away. They followed, and I stepped at once out of the box-door into my bedroom, where only Steerforth was with me, helping me to undress, and where I was by turns telling him that Agnes was my sister, and adjuring him to bring the corkscrew, that I might open another bottle of wine.
How somebody, lying in my bed, lay saying and doing all this over again, at cross purposes, in a feverish dream all night — the bed a rocking sea that was never still! How, as that somebody slowly settled down into myself, did I begin to parch, and feel as if my outer covering of skin were a hard board; my tongue the bottom of an empty kettle, furred with long service, and burning up over a slow fire; the palms of my hands, hot plates of metal which no ice could cool!
But the agony of mind, the remorse, and shame I felt when I became conscious next day! My horror of having committed a thousand offences I had forgotten, and which nothing could ever expiate — my recollection of that indelible look which Agnes had given me — the torturing impossibility of communicating with her, not knowing, Beast that I was, how she came to be in London, or where she stayed — my disgust of the very sight of the room where the revel had been held — my racking head — the smell of smoke, the sight of glasses, the impossibility of going out, or even getting up! Oh, what a day it was!
Oh, what an evening, when I sat down by my fire to a basin of mutton broth, dimpled all over with fat, and thought I was going the way of my predecessor, and should succeed to his dismal story as well as to his chambers, and had half a mind to rush express to Dover and reveal all! What an evening, when Mrs. Crupp, coming in to take away the broth-basin, produced one kidney on a cheese-plate as the entire remains of yesterday's feast, and I was really inclined to fall upon her nankeen breast and say, in heartfelt penitence, 'Oh, Mrs. Crupp, Mrs. Crupp, never mind the broken meats! I am very miserable!' — only that I doubted, even at that pass, if Mrs. Crupp were quite the sort of woman to confide in!
GOOD AND BAD ANGELS
I was going out at my door on the morning after that deplorable day of headache, sickness, and repentance, with an odd confusion in my mind relative to the date of my dinner-party, as if a body of Titans had taken an enormous lever and pushed the day before yesterday some months back, when I saw a ticket-porter coming upstairs, with a letter in his hand. He was taking his time about his errand, then; but when he saw me on the top of the staircase, looking at him over the banisters, he swung into a trot, and came up panting as if he had run himself into a state of exhaustion.
'T. Copperfield, Esquire,' said the ticket-porter, touching his hat with his little cane.
I could scarcely lay claim to the name: I was so disturbed by the conviction that the letter came from Agnes. However, I told him I was T. Copperfield, Esquire, and he believed it, and gave me the letter, which he said required an answer. I shut him out on the landing to wait for the answer, and went into my chambers again, in such a nervous state that I was fain to lay the letter down on my breakfast table, and familiarize myself with the outside of it a little, before I could resolve to break the seal.
I found, when I did open it, that it was a very kind note, containing no reference to my condition at the theatre. All it said was, 'My dear Trotwood. I am staying at the house of papa's agent, Mr. Waterbrook, in Ely Place, Holborn. Will you come and see me today, at any time you like to appoint? Ever yours affectionately, AGNES.'
It took me such a long time to write an answer at all to my satisfaction, that I don't know what the ticket-porter can have thought, unless he thought I was learning to write. I must have written half-a-dozen answers at least. I began one, 'How can I ever hope, my dear Agnes, to efface from your remembrance the disgusting impression' — there I didn't like it, and then I tore it up. I began another, 'Shakespeare has observed, my dear Agnes, how strange it is that a man should put an enemy into his mouth' — that reminded me of Markham, and it got no farther. I even tried poetry. I began one note, in a six-syllable line, 'Oh, do not remember' — but that associated itself with the fifth of November, and became an absurdity. After many attempts, I wrote, 'My dear Agnes. Your letter is like you, and what could I say of it that would be higher praise than that? I will come at four o'clock.